With musIQ disabled, the last manual key is shown and used to produce scale-based harmonies.Ī pair of multi-position rotary selectors governs two independent voices. When the musIQ function is engaged, the display indicates the automatic harmony key determined by the most recently played chords, constantly updating its response accordingly as these change. Key display, an elliptical LED array presented in circle of fifths formation, with musically related keys sited next to each other. The sloping front half hosts two sizeable square switches, while the business section is safely out of the way, occupying the rear half.Ĭontrasting its impressive capabilities, the HarmonyMan's layout is comfortingly minimal. The unit's substantial weight ensures minimal movement underfoot, the non-slip factor further helped by super grip rubber strips on the base.ĭimensions are akin to a closely spaced pair of standard sized stompers, although the HarmonyMan sits significantly higher. The newcomer is an equally solid piece of work, with a cast metal casing capable of withstanding almost any on-stage abuse. It adopts the twin-treadle format already employed on that other 'male' in the floor effects range, the JamMan looper. True to DigiTech tradition, the HarmonyMan is US-made - something of an increasing exception in these days of Chinese product domination. The principal process involved is that the pedal analyses the chords being played prior to a solo and these then determine the correct harmonies that can accompany the latter. This uses the company's exclusive musIQ note detection and chord recognition technology to automatically add various options of one or two harmony parts to the original guitar lead line, as well as provide other pitch shifted effects.
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